Sunday the 25th of November, 14:45 PM, I am on Winter Castlefest , the 2018 edition. As I was getting ready to photograph the next band in 'The Great Hall'-the name Castlefest has given to the big tent where the games are played and the indoor performances take place- I couldn’t help but notice Sowulo 's Faber Auroch entering. The next to pass me was Sara ( SeeD 's singer/bouzouki player) and her partner. But I really started raising an eyebrow when some minutes later Brisinga 's Fabi came by asking if I knew where the Imbue members were sitting. As I started looking around, I was also able to spot Rowan from Heidevolk and members from Sunfire and The Royal Spuds in the audience. All the members of Emian and Waldkauz had found a place in the front rows, as had former AmmA member Hanna van Gorcum and from the corner of my eye I could also see sound magician Fieke van den Hurk . Afterwards I discovered SeeD's frontman Koen van Egmond and Sowulo's harp player Chloé Bakker also attended the concert a day earlier. Now the Castlefest scene, as I fondly call the Pagan/fantasy folk scene we are all part of, has always been a really supportive one with bands visiting each other’s concerts and all kinds of collaborations happening on stage and behind the scenes. But even in this supportive scene it is rare for ten(!) bands to be represented at one concert. And that's exactly what happened as Irfan got ready to play at the Castlefest 2018 Winter Edition. In a way it says all about the status Irfan has within the alternative Pagan folk scene.


Well, the concert was beautiful, mesmerising and captivating from start to finish. With the seating area placed closely around the podium, there was this real connection between the band and the audience. The atmosphere was pure magic, really captivating and Irfan were given a standing ovation at the end of the concert. It goes without saying that I acquired their newest mini-CD Roots straight after to try and hopefully re-experience a bit of that magic again at home. And that is exactly what happened when I put Roots in my CD player.

From the first notes of the opening song Mominstvo Irfan captivates you. They take you into ancient Persian times. You walk with them into the courts of India, you reminisce Read More


When I started as a reviewer for CeltCast in the autumn of 2017, I wrote several reviews in one go. Most of them are published, but two were put on the shelf for later use. As is common with stuff on shelves, they were forgotten, collecting dust in a dark corner of my laptop. Now, with Sowulo already recording their third album, I dug the review of Sol up again. We finally focus our attention to Sowulo's second album, and everything which happened before that, because you can't introduce Sol without mentioning their first CD Alvenrad . So we start the story with that album, taking us all the way back to 2010.
In 2010 Faber Horbach started developing the concept of what would become Sowulo - a project named after the Germanic rune for the Sun - and started composing the music for what would become the Alvenrad album. An album Sowulo described back then as ambient folk music inspired by Germanic mythology. The name Alvenrad came from the Germanic name for the sun and the album was a celebration of the pagan year festivals. Nowadays Sowulo refers to this CD as ritual music.The album came out in 2012 and the band members were, besides Faber Horbach on piano and chant, Klaartje van Zwoll on violin and chant, Koen van Egmond ( SeeD ) on flute and Tom Latten on percussion. The recordings were done by Fieke van den Hurk.

Looking back at this period Faber Horbach explains: 'I did indeed compose Alvenrad all by myself.The concept of Alvenrad was the sun, the four seasons and the pagan festivals that go with it. The subtitle of the CD was: celebrating our great pagan legacy. The whole idea was born out of my own wish to be able to play appropriate music to the specific pagan festivals we celebrate nowadays. The music on Alvenrad is therefore dedicated to those yearly festivals and the wheel of life, the way nature evolves during a year, because these are universal themes within paganism. I didn't restrict myself to a Germanic or Celtic view on those festivals. We don't exactly know how they were celebrated anyway. Instead I let myself be influenced by the different 'feel' of those festivals and tried to express that in my compositions.
Funny story is, when I started recording Alvenrad at Fieke van den Hurk's Orchus studio - the predecessor of the Dearworld studio - I Read More
Remember everyone, we still have a Midwinter Fair Archeon give-away going where two of you can win two one-day tickets to this awesome event! CeltCast helped out the organisation this year with setting up the music, so we sure hope to see many of you there!

You have just a little under two days left to enter in this promotion, which ends this Friday at 18:00 CET. Quickly go to the original post, comment under it, tagging a friend you want to bring along to Midwinter Fair Yule Fest , and share the original post, set to public, on your timeline. Maybe you'll be one of two lucky winners!

Yule fest

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